Catherine Telford Keogh
b. Toronto, Canada. Lives and works in New York.
[email protected]
Education
2013 Yale University, Master of Arts, Women, Gender, and Sexuality Studies
2011 Yale University School of Art, Master of Fine Arts, Sculpture
2008 University of Waterloo, Bachelor of Arts, Studio Art / Gender Studies
Solo Exhibitions
2023 Shelf Life, Helena Anrather, New York
2021 Circuit Trouble, Erin Stump Projects, Toronto
2020 Nervous System, Helena Anrather, New York
2018 Dental Dam, University of Waterloo Art Gallery, Waterloo
2018 SoftFocus®, Bunker 2, Toronto
2018 Source Supplements, Evans Contemporary, Peterborough
2017 FLAT FOOD, Roberta Pelan, Toronto
Group Exhibitions
2024 GTA24 Triennial, Museum of Contemporary Art, Toronto
2024 Erratic Behavior, Kitchener Waterloo Art Gallery, Kitchener
2023 Drawings by Sculptors, Helena Anrather, New York, organized by Carl D'Alvia
2023 Seep State, Franz Kaka, Toronto
2022 Parallel Universe, Galerie Antoine Ertaskiran, Montreal
2022 Now I am a Lake, Public Gallery, London
2022 Signals, Someday, New York
2021 Plastic Heart: Surface All the Way Through, curated by Synthetic Collective, Canadian Cultural Center, Paris
2021 Chain Reaction #6: Las Palmas – Apophenia, Galeria Fidelidad Arte, Lisbon curated by Bruno Marchand
2021 Chain Reaction #6: Las Palmas–Apophenia, Culturgest, Porto curated by Bruno Marchand
2021 Plastic Heart, curated by Synthetic Collective, Art Museum, Toronto
2021 K as in Knight, Helena Anrather, New York
2020 Crawling out of a hidden place, Arsenal Contemporary, Toronto
2019 Unlocal Benefit, Klaus von Nichtssagend Gallery, New York
2019 Red Sky at Morning, Interstate, New York
2019 Gestures of Comfort, Galerie Antoine Ertaskiran, Montreal
2019 Common Place: Common-Place, Art Museum at the University of Toronto
2019 Acts of recognition, curated by Leontios Toumpouris, Thkio Ppalies, Cyprus
2018 In Commerce Court, organized by Main Street Gallery, Toronto
2018 Radiant Real, McIntosh Gallery, London
2018 Title II, Galerie Antoine Ertaskiran, Montreal curated by Vie D'Ange & Christopher Kulendran Thomas
2017 PUDDLING: As her fate, she accepted the world of ice, shining, shimmering, dead (The Island) Prince Edward County
2017 Slipping between the gap, two hands vibrating, with Andrew Hoekstra, Coffin Factory, Toronto
2016 ROT: Compost and Surgery, Seattle Art Museum, Seattle curated by S. Surface and Molly Mac
2016 Legal Tender, The Alice, Seattle
2015 Video Snack, Vox Populi, Philadelphia
2015 Introductions, Trestle Gallery, Brooklyn
2015 Bronx Calling, Bronx Museum, New York
2014 Bronx Speaks, Bronx Museum, New York
2014 No Place, 93 Market Street Project Space, Newark
2012 The Body and Material, Greenpoint Film Festival, Brooklyn
2012 Tabula Rasa, Curious Matter, New Jersey City
2011 Thesis Exhibition, Yale School of Art, Green Gallery, New Haven
2008 Threads, Queer Contemporary Art Center, San Francisco
Press
2024 Xenia Benivolski, Toronto's Artists Respond to a City in Flux, Frieze
2024 Richard Lautens, Dreams from the Ford plant, an aunt’s treasured rug and ‘soup joumou’, Toronto Star
2024 Christopher Hampton, What do rocks know about us anyway? CBC Arts
2023 Emily Watlington, Studio Visits: New Talent New York, Art in America
2023 Emily Watlington, Catherine Telford Keogh on Sculpting Trash and Compressed Landfill into Striking Assemblages, Art in America
2022 Didier Morelli, Anna Solal et Olivier Prada L’enfant chiffre (Review), Le Sabord, 2022
2022 Jonathan Orozco, Signals at Someday Gallery (Review), Whitehot Magazine, August 2022
2020 Blake Oetting, “Catherine Telford Keogh": Nervous System”, Brooklyn Rail
2020 Christopher Hampton, Art Trip: Catherine Telford Keogh explores material interactions in New York exhibition, Globe and Mail
2021 Miles Rufelds, Aspic Sculpture III : Testbeds of Capitalist Erosion, Public Parking Publication
2019 Daniella Sanader, Gut Feelings: Digesting the work of Catherine Telford- Keogh, BlackFlash Magazine
2019 Shannon Garden-Smith and David Court, Toxicity and Intoxication, Review. Peripheral Review
2018 Chris Hampton, “What does it mean to 'consume'?” CBC Arts
2018 Artist of the Week, Interview with LVL3 Gallery
2018 Shannon Garden-Smith, “Catherine Telford-Keogh: Source Supplements.” Border Crossings (Review)
2018 Ruth Jones, “Catherine Telford-Keogh: Source Supplements.” C Magazine. Issue 138: Games (Review)
2018 Asymmetries of power + fragmentation in Title II at Montréal’s Galerie Antoine Ertaskiran, AQNB
2018 Eli Kerr, “Title II”, Exhibition Text, Antoine Ertaskiran
2017 Catherine Telford-Keogh, “FLAT FOOD” PRECOG Magazine, Vol. 3 (2017): 19-23
2016 Jen Graves, "Legal Tender Finds Art at the Intersection of Love and Money," The Stranger
2016 Gaby Collins-Fernandez and Flo Escudero. PRECOG Magazine, Vol. 1 (2016): 22-25
2012 Brendan S. Carroll. “A Blank Slate and Some Curious Matter." Hyperallergic, September 4
2011 Devin Singh. “On Catherine Telford-Keogh.” Sculpture Department Catalogue, Yale University School of Art (2011): 124-127
Publications/Writing
2021 Catherine Telford Keogh, Difference is Spreading (response the work of Anna Solal), L’enfant chiffre, Anna Solal and Olivier Prada, Artist Book, Cassandra
Cassandra & JMS Press
2019 Home Remedies, exhibition text for Carl Marin at Carl Louie, Toronto
2018 Ruth Jones, “Radiant Intensities.” Glimmers of the Radiant Real, Exhibition Catalogue
2018 Sam Mogelonsky, “Skimming Shininess.” Glimmers of the Radiant Real, Exhibition Catalogue
2018 Vanessa Nicholas, Finding Light in the Dark Ages” Glimmers of the Radiant Real, Exhibition Catalogue
2017 Catherine Telford Keogh, The Conglomerate, Kakaesque, Franz Kaka, Toronto, ON (performative reading by Kraft Foods voice actor in response to the
work of Paul Kajander)
2016 Catherine Telford Keogh, "Dupont Cellophane: A Synthetic Barrier Against Strange Hands." PRECOG Magazine, Vol. 1 (2016): 49-55
2012 Colloquium Paper, “Composition as Explanation: Obscurity and Difference in Four Saints in Three Acts,” Yale University Art History Department Colloquium,
New Histories of Modern Art in The United States, organized by David Joselit, Yale University
2011 Colloquium Paper, “Perverse Acts of Transfer: The Work of Regina José Galindo,” Women, Gender and Sexuality Studies Colloquium Series, YaleUniversity
2018 FLAT FOOD, Graphite Journal, July 2017
2010 Catherine Telford Keogh, “Queering Feminist Witchcraft,” in Feminist Spirituality: The Next Generation, ed. Chris Klassen, (Plymouth: Lexington Books, 2010): 33-62
Lectures
2023 Artist Talk, York University, Toronto, ON
2022 Artist Talk and Studio Visits, Sarah Lawrence College, Bronxville, NY
2022 Artist Talk, The School of Fine Art and Music, Guelph University, Guelph, ON
2021 Artist Talk, Yale School of Art, Sculpture Department, New Haven, CT
2018 Ecological Risk, Panel Discussion, Towards Galley, Toronto, ON
2018 Artist Talk, UWAG, Waterloo, ON
2018 Artist Talk, Western University, London, ON
2018 Artist Talk University of Waterloo, Waterloo, ON
2017 Artist Talk, University of Toronto Scarborough, ON
2015 Artist Talk, University of Waterloo, ON
2014 Panelist and Moderator, “Revolution and the Scope of Feminist Aesthetics,” Left Forum, Pace
University, New York, NY
2014 Artist Talk with artist Leon Finley, Hartford University Art School, Hartford, CT
2013 Guest Lecture, “Artists and Alternative Materials: Food,” WGSS 120 Women Food and
Culture, Yale University, New Haven, CT
Awards/Grants
2024 Research and Creation Grant, Canada Council for the Arts
2023 Professional Development Grant, Canada Council for the Arts
2022 Concept Realization Grant, Canada Council for the Arts
2020 Long List, Sobey Art Award
2020 Research and Creation Grant, Canada Council for the Arts
2020 Project Grant, Toronto Art Council
2019 Professional Development Grant, Canada Council for the Arts
2019 Exhibition Grant, Ontario Arts Council
2018 Emerging Artist Grant, Toronto Arts Council
2018 Research and Creation Grant, Canada Council for the Arts
2018 Emerging Artist Grant, Ontario Arts Council
2018 Exhibition Grant, Ontario Arts Council
2016 Emerging Artist Grant, Ontario Arts Council 2013 Susan C. Clarke Fellowship, Yale University
2014 Fannie B. Pardee Prize, Yale School of Art
2008 Helen L. Cross Memorial Award, University of Waterloo
2008 Ontario Crafts Council Fiber Award, Ontario Crafts Council, ON
Residencies/Fellowships
2023-2024 GIDEST Fellowship, The New School, New York
2019-2023 Artist-in-Residence, Pelling Laboratory for Augmented Biology, University of Ottawa, ON
2014 AIM Residency, Bronx Museum, NY
b. Toronto, Canada. Lives and works in New York.
[email protected]
Education
2013 Yale University, Master of Arts, Women, Gender, and Sexuality Studies
2011 Yale University School of Art, Master of Fine Arts, Sculpture
2008 University of Waterloo, Bachelor of Arts, Studio Art / Gender Studies
Solo Exhibitions
2023 Shelf Life, Helena Anrather, New York
2021 Circuit Trouble, Erin Stump Projects, Toronto
2020 Nervous System, Helena Anrather, New York
2018 Dental Dam, University of Waterloo Art Gallery, Waterloo
2018 SoftFocus®, Bunker 2, Toronto
2018 Source Supplements, Evans Contemporary, Peterborough
2017 FLAT FOOD, Roberta Pelan, Toronto
Group Exhibitions
2024 GTA24 Triennial, Museum of Contemporary Art, Toronto
2024 Erratic Behavior, Kitchener Waterloo Art Gallery, Kitchener
2023 Drawings by Sculptors, Helena Anrather, New York, organized by Carl D'Alvia
2023 Seep State, Franz Kaka, Toronto
2022 Parallel Universe, Galerie Antoine Ertaskiran, Montreal
2022 Now I am a Lake, Public Gallery, London
2022 Signals, Someday, New York
2021 Plastic Heart: Surface All the Way Through, curated by Synthetic Collective, Canadian Cultural Center, Paris
2021 Chain Reaction #6: Las Palmas – Apophenia, Galeria Fidelidad Arte, Lisbon curated by Bruno Marchand
2021 Chain Reaction #6: Las Palmas–Apophenia, Culturgest, Porto curated by Bruno Marchand
2021 Plastic Heart, curated by Synthetic Collective, Art Museum, Toronto
2021 K as in Knight, Helena Anrather, New York
2020 Crawling out of a hidden place, Arsenal Contemporary, Toronto
2019 Unlocal Benefit, Klaus von Nichtssagend Gallery, New York
2019 Red Sky at Morning, Interstate, New York
2019 Gestures of Comfort, Galerie Antoine Ertaskiran, Montreal
2019 Common Place: Common-Place, Art Museum at the University of Toronto
2019 Acts of recognition, curated by Leontios Toumpouris, Thkio Ppalies, Cyprus
2018 In Commerce Court, organized by Main Street Gallery, Toronto
2018 Radiant Real, McIntosh Gallery, London
2018 Title II, Galerie Antoine Ertaskiran, Montreal curated by Vie D'Ange & Christopher Kulendran Thomas
2017 PUDDLING: As her fate, she accepted the world of ice, shining, shimmering, dead (The Island) Prince Edward County
2017 Slipping between the gap, two hands vibrating, with Andrew Hoekstra, Coffin Factory, Toronto
2016 ROT: Compost and Surgery, Seattle Art Museum, Seattle curated by S. Surface and Molly Mac
2016 Legal Tender, The Alice, Seattle
2015 Video Snack, Vox Populi, Philadelphia
2015 Introductions, Trestle Gallery, Brooklyn
2015 Bronx Calling, Bronx Museum, New York
2014 Bronx Speaks, Bronx Museum, New York
2014 No Place, 93 Market Street Project Space, Newark
2012 The Body and Material, Greenpoint Film Festival, Brooklyn
2012 Tabula Rasa, Curious Matter, New Jersey City
2011 Thesis Exhibition, Yale School of Art, Green Gallery, New Haven
2008 Threads, Queer Contemporary Art Center, San Francisco
Press
2024 Xenia Benivolski, Toronto's Artists Respond to a City in Flux, Frieze
2024 Richard Lautens, Dreams from the Ford plant, an aunt’s treasured rug and ‘soup joumou’, Toronto Star
2024 Christopher Hampton, What do rocks know about us anyway? CBC Arts
2023 Emily Watlington, Studio Visits: New Talent New York, Art in America
2023 Emily Watlington, Catherine Telford Keogh on Sculpting Trash and Compressed Landfill into Striking Assemblages, Art in America
2022 Didier Morelli, Anna Solal et Olivier Prada L’enfant chiffre (Review), Le Sabord, 2022
2022 Jonathan Orozco, Signals at Someday Gallery (Review), Whitehot Magazine, August 2022
2020 Blake Oetting, “Catherine Telford Keogh": Nervous System”, Brooklyn Rail
2020 Christopher Hampton, Art Trip: Catherine Telford Keogh explores material interactions in New York exhibition, Globe and Mail
2021 Miles Rufelds, Aspic Sculpture III : Testbeds of Capitalist Erosion, Public Parking Publication
2019 Daniella Sanader, Gut Feelings: Digesting the work of Catherine Telford- Keogh, BlackFlash Magazine
2019 Shannon Garden-Smith and David Court, Toxicity and Intoxication, Review. Peripheral Review
2018 Chris Hampton, “What does it mean to 'consume'?” CBC Arts
2018 Artist of the Week, Interview with LVL3 Gallery
2018 Shannon Garden-Smith, “Catherine Telford-Keogh: Source Supplements.” Border Crossings (Review)
2018 Ruth Jones, “Catherine Telford-Keogh: Source Supplements.” C Magazine. Issue 138: Games (Review)
2018 Asymmetries of power + fragmentation in Title II at Montréal’s Galerie Antoine Ertaskiran, AQNB
2018 Eli Kerr, “Title II”, Exhibition Text, Antoine Ertaskiran
2017 Catherine Telford-Keogh, “FLAT FOOD” PRECOG Magazine, Vol. 3 (2017): 19-23
2016 Jen Graves, "Legal Tender Finds Art at the Intersection of Love and Money," The Stranger
2016 Gaby Collins-Fernandez and Flo Escudero. PRECOG Magazine, Vol. 1 (2016): 22-25
2012 Brendan S. Carroll. “A Blank Slate and Some Curious Matter." Hyperallergic, September 4
2011 Devin Singh. “On Catherine Telford-Keogh.” Sculpture Department Catalogue, Yale University School of Art (2011): 124-127
Publications/Writing
2021 Catherine Telford Keogh, Difference is Spreading (response the work of Anna Solal), L’enfant chiffre, Anna Solal and Olivier Prada, Artist Book, Cassandra
Cassandra & JMS Press
2019 Home Remedies, exhibition text for Carl Marin at Carl Louie, Toronto
2018 Ruth Jones, “Radiant Intensities.” Glimmers of the Radiant Real, Exhibition Catalogue
2018 Sam Mogelonsky, “Skimming Shininess.” Glimmers of the Radiant Real, Exhibition Catalogue
2018 Vanessa Nicholas, Finding Light in the Dark Ages” Glimmers of the Radiant Real, Exhibition Catalogue
2017 Catherine Telford Keogh, The Conglomerate, Kakaesque, Franz Kaka, Toronto, ON (performative reading by Kraft Foods voice actor in response to the
work of Paul Kajander)
2016 Catherine Telford Keogh, "Dupont Cellophane: A Synthetic Barrier Against Strange Hands." PRECOG Magazine, Vol. 1 (2016): 49-55
2012 Colloquium Paper, “Composition as Explanation: Obscurity and Difference in Four Saints in Three Acts,” Yale University Art History Department Colloquium,
New Histories of Modern Art in The United States, organized by David Joselit, Yale University
2011 Colloquium Paper, “Perverse Acts of Transfer: The Work of Regina José Galindo,” Women, Gender and Sexuality Studies Colloquium Series, YaleUniversity
2018 FLAT FOOD, Graphite Journal, July 2017
2010 Catherine Telford Keogh, “Queering Feminist Witchcraft,” in Feminist Spirituality: The Next Generation, ed. Chris Klassen, (Plymouth: Lexington Books, 2010): 33-62
Lectures
2023 Artist Talk, York University, Toronto, ON
2022 Artist Talk and Studio Visits, Sarah Lawrence College, Bronxville, NY
2022 Artist Talk, The School of Fine Art and Music, Guelph University, Guelph, ON
2021 Artist Talk, Yale School of Art, Sculpture Department, New Haven, CT
2018 Ecological Risk, Panel Discussion, Towards Galley, Toronto, ON
2018 Artist Talk, UWAG, Waterloo, ON
2018 Artist Talk, Western University, London, ON
2018 Artist Talk University of Waterloo, Waterloo, ON
2017 Artist Talk, University of Toronto Scarborough, ON
2015 Artist Talk, University of Waterloo, ON
2014 Panelist and Moderator, “Revolution and the Scope of Feminist Aesthetics,” Left Forum, Pace
University, New York, NY
2014 Artist Talk with artist Leon Finley, Hartford University Art School, Hartford, CT
2013 Guest Lecture, “Artists and Alternative Materials: Food,” WGSS 120 Women Food and
Culture, Yale University, New Haven, CT
Awards/Grants
2024 Research and Creation Grant, Canada Council for the Arts
2023 Professional Development Grant, Canada Council for the Arts
2022 Concept Realization Grant, Canada Council for the Arts
2020 Long List, Sobey Art Award
2020 Research and Creation Grant, Canada Council for the Arts
2020 Project Grant, Toronto Art Council
2019 Professional Development Grant, Canada Council for the Arts
2019 Exhibition Grant, Ontario Arts Council
2018 Emerging Artist Grant, Toronto Arts Council
2018 Research and Creation Grant, Canada Council for the Arts
2018 Emerging Artist Grant, Ontario Arts Council
2018 Exhibition Grant, Ontario Arts Council
2016 Emerging Artist Grant, Ontario Arts Council 2013 Susan C. Clarke Fellowship, Yale University
2014 Fannie B. Pardee Prize, Yale School of Art
2008 Helen L. Cross Memorial Award, University of Waterloo
2008 Ontario Crafts Council Fiber Award, Ontario Crafts Council, ON
Residencies/Fellowships
2023-2024 GIDEST Fellowship, The New School, New York
2019-2023 Artist-in-Residence, Pelling Laboratory for Augmented Biology, University of Ottawa, ON
2014 AIM Residency, Bronx Museum, NY