CATHERINE TELFORD KEOGH
Born in 1986, Toronto, Ontario. Lives and works in New York.
2013 Yale University, Master of Arts, Women, Gender and Sexuality Studies
2011 Yale University School of Art, Master of Fine Arts, Sculpture
2011 Yale University, Graduate Qualification, Women, Gender and Sexuality Studies
2008 University of Waterloo, Bachelor of Arts, Studio Art / Gender Studies, 2008
SOLO EXHIBITIONS
2023 TBD, Helena Anrather, New York, NY
2021 Circuit Trouble, Erin Stump Projects, Toronto, ON
2020 Nervous System, Helena Anrather, New York, NY
2018 Dental Dam, University of Waterloo Art Gallery, Waterloo, ON
2018 SoftFocus®, Bunker 2, Public Storage Building, Toronto, ON
2018 Source Supplements, Evans Contemporary, Peterborough, ON
2017 FLAT FOOD, Roberta Pelan, Toronto, ON
GROUP EXHIBITIONS
2023 TBD, Franz Kaka, Toronto, ON
2022 Parallel Universe, Galerie Antoine Ertaskiran, Montreal, ON
2022 Now I am a Lake, curated by Rose Nesler, Public Gallery, London, ENG
2022 Signals, curated by Jeanette Bisschops, Anaïs Castro, Isabel Yellin, New York, NY
2021 Plastic Heart, curated by Synthetic Collective, Canadian Cultural Center, Paris, FRAN
2021 Chain Reaction, Galeria Fidelidad Arte, Lisbon, PT
2021 Plastic Heart, curated by Synthetic Collective, Art Museum, Toronto, ON
2021 K as in Knight, Helena Anrather, New York, NY
2020 Crawling out of a hidden place, Arsenal Contemporary, Toronto, ON
2019 Unlocal Benefit, Klaus von Nichtssagend Gallery, New York, NY
2019 Red Sky at Morning, Interstate, New York, NY
2019 Gestures of Comfort, Galerie Antoine Ertaskiran, Montreal, ON
2019 Common Place: Common-Place, Art Museum at the University of Toronto, ON
2019 Acts of recognition, curated by Leontios Toumpouris, Thkio Ppalies, Cyprus
2018 Photorama, TPW, Toronto, ON
2018 In Commerce Court, organized by Main Street Gallery, Toronto, ON
2018 Radiant Real, Robert McLaughlin Gallery, Oshawa, Art Gallery of Peterborough, McIntosh
Gallery, London
2018 Title II, Galerie Antoine Ertaskiran, Montreal, ON
2017 Kakaesque, Franz Kaka, Toronto, ON (performative reading)
2017 PUDDLING: As her fate, she accepted the world of ice, shining, shimmering, dead (The Island)
Prince Edward County, ON
2017 Slipping between the gap, two hands vibrating, with Andrew Hoekstra, Coffin Factory,
Toronto, ON
2017 Art Toronto, Franz Kaka Project Booth, Toronto ON
2016 ROT: Compost and Surgery, Seattle Art Museum, Seattle, WA
2016 Legal Tender, The Alice, Seattle, WA
2015 Video Snack, Vox Populi, Philadelphia, PA
2015 Introductions, Trestle Gallery, Brooklyn, NY
2015 Bronx Calling, Bronx Museum, New York, NY
2014 Bronx Speaks, Bronx Museum, New York, NY
2014 No Place, 93 Market Street Project Space, Newark, NJ
2012 The Body and Material, Greenpoint Film Festival, Brooklyn, NY
2012 Tabula Rasa, Curious Matter, New Jersey City, NJ
2011 Thesis Exhibition, Yale School of Art, Green Gallery, New Haven, CT
2008 Threads, Queer Contemporary Art Center, San Francisco, CA
PUBLICATIONS AND PRESS
2022 Jonathan Orozco, Signals at Someday Gallery (Review), Whitehot Magazine, August 2022
2021 Catherine Telford Keogh, Difference is Spreading, L’enfant chiffre, Anna Solal and Olivier
Prada, Artist Book, Cassandra Cansandra & JMS Press
2020 Blake Oetting, “Catherine Telford Keogh": Nervous System”, Brooklyn Rail
2020 Christopher Hampton, Art Trip: Catherine Telford Keogh explores material interactions in New
York exhibition, The Globe and Mail
2019 Daniella Sanader, Gut Feelings: Digesting the work of Catherine Telford- Keogh, BlackFlash
Magazine
2019 Shannon Garden-Smith and David Court, Toxicity and Intoxication: Catherine Telford-Keogh
and Katie Bethune-Leamen at the University of Waterloo Art Gallery, Review. Peripheral
Review
2018 FLAT FOOD, Graphite Journal, July 2017
2018 Chris Hampton, “What does it mean to 'consume'?” CBC Arts 2018 Interview with LVL3 Gallery
2018 Shannon Garden-Smith, “Catherine Telford-Keogh: Source Supplements.” Border Crossings
2018 Ruth Jones, “Catherine Telford-Keogh: Source Supplements.” C Magazine. Issue 138: Games
2018 Eli Kerr, “Title II”, Exhibition Text, Antoine Ertaskiran
2018 Ruth Jones, “Radiant Intensities.” Glimmers of the Radiant Real, Exhibition Catalogue
2018 Sam Mogelonsky, “Skimming Shininess.” Glimmers of the Radiant Real, Exhibition catalogue
2018 Vanessa Nicholas, Finding Light in the Dark Ages” Glimmers of the Radiant Real, Exhibition
catalogue
2017 Catherine Telford-Keogh, “FLAT FOOD” PRECOG Magazine, Vol. 3 (2017): 19-23
2016 Jen Graves, "Legal Tender Finds Art at the Intersection of Love and Money," The Stranger
2016 Gaby Collins-Fernandez and Flo Escudero. PRECOG Magazine, Vol. 1 (2016): 22-25
2016 Catherine Telford- Keogh,"Dupont Cellophane: A Synthetic Barrier Against Strange Hands."
PRECOG Magazine, Vol. 1 (2016): 49-55
2012 Brendan S. Carroll. “A Blank Slate and Some Curious Matter." Hyperallergic, September 4
2011 Devin Singh. “On Catherine Telford-Keogh.” Sculpture Department Catalogue, Yale University
School of Art (2011): 124-127
2010 Catherine Telford -Keogh, “Queering Feminist Witchcraft,” in Feminist Spirituality: The Next
Generation, ed. Chris Klassen, (Plymouth: Lexington Books, 2010): 33-62
LECTURES AND TALKS
2022 Artist Talk, The School of Fine Art and Music, Guelph University, Guelph, ON
2021 Artist Talk, Yale School of Art, Sculpture Department, New Haven, CT
2018 Ecological Risk, Panel Discussion, Towards Galley, Toronto, ON
2018 Artist Talk, UWAG, Waterloo, ON
2018 Artist Talk, Western University, London, ON
2018 Artist Talk and MFA visits, University of Waterloo, Waterloo, ON
2017 Artist Talk, University of Toronto Scarborough, ON
2015 Artist Talk, University of Waterloo, ON
2014 Panelist and Moderator, “Revolution and the Scope of Feminist Aesthetics,” Left Forum, Pace
University, New York, NY
2014 Artist Talk with artist Leon Finley, Hartford University Art School, Hartford, CT
2013 Guest Lecture, “Food Matter,” WGSS 120 Women Food and Culture, Yale University, New
Haven, CT
2012 Paper, “Composition as Explanation: Obscurity and Difference in Four Saints in Three Acts,”
Yale University Art History Department Colloquium, New Histories of Modern Art in The
United States, organized by David Joselit, Yale University, New Haven CT
2011 Guest Lecture, “Woman Artists and Alternative Materials,” WGSS 120 Women Food and
Culture, Yale University, New Haven, CT
2011 Paper, “Perverse Acts of Transfer: The Work of Regina José Galindo,” Women, Gender and
Sexuality Studies Colloquium Speaker Series, Yale University, New Haven, CT
AWARDS AND RESIDENCIES
2020 Sobey Art Award
2020 Research and Creation Grant, Canada Council for the Arts
2020 Project Grant, Toronto Art Council
2019 Artist-in-Residence, Pelling Laboratory for Augmented Biology, University of Ottawa, ON
2019 Professional Development Grant, Canada Council for the Arts
2019 Exhibition Grant, Ontario Arts Council
2018 Emerging Artist Grant, Toronto Arts Council
2018 Research and Creation Grant, Canada Council for the Arts 2018 Emerging Artist Grant, Ontario Arts Council
2018 Faculty of Art Award for Teaching Excellence, OCAD University 2018 Exhibition Grant, Ontario Arts Council
2016 Emerging Artist Grant, Ontario Arts Council 2013 Susan C. Clarke Fellowship, Yale University
2014 AIM Residency, Bronx Museum, NY
2014 Fannie B. Pardee Prize, Yale School of Art
2008 Helen L. Cross Memorial Award, University of Waterloo
2008 Ontario Crafts Council Fiber Award, Ontario Crafts Council, ON
PUBLIC COLLECTIONS
Royal Bank of Canada, Toronto ON
Equity Bank, Toronto ON
Art Museum/University of Toronto, Toronto ON